Active Imagination
PractitionerJung's method for engaging with unconscious contents through deliberate, conscious dialogue with fantasy figures. Active imagination is not visualization or meditation - it is an encounter with autonomous psychic realities.
Distinction: Active imagination is not 'using your imagination' - it is entering into dialogue with figures that have their own intentionality and will. The ego must participate fully, not observe passively.
Etymology: Jung's term distinguishes this practice from passive fantasy. The imagination is 'active' when the ego engages it with full consciousness and ethical responsibility.
Source: C.G. Jung, Mysterium Coniunctionis (CW 14), chapter 6, for the method and its requirements.
Amplification
PractitionerJung's method for expanding and deepening a dream image by connecting it to parallel material from mythology, alchemy, religion, and culture. Amplification does not interpret - it creates resonance.
Distinction: Amplification is not 'free association' - it stays close to the image and connects it to cultural and archetypal parallels. The goal is not to explain but to deepen.
Etymology: From Latin 'amplificare' (to enlarge). Jung's method enlarges the meaning-context of an image rather than reducing it to a single interpretation.
Source: C.G. Jung, The Archetypes and the Collective Unconscious (CW 9i), for the method as applied to dream material.
Anamnesis
AdeptThe recollection or remembering of what was known before birth. In Platonic tradition, learning is remembering; in depth psychology, anamnesis describes the recovery of the soul's prior knowledge.
Distinction: Anamnesis is not 'past life regression' or recovered memory in the therapeutic sense - it is the recovery of the soul's original relationship to the archetypal world.
Etymology: Greek for 'remembrance.' In Platonic philosophy, the soul has knowledge from before incarnation; learning is the recollection of this knowledge.
Source: Plato, Meno, for the classical formulation; Jung applies it to the recovery of the Self's primordial knowledge.
Anima
PractitionerThe archetypal feminine in the male psyche - not as a collection of feminine traits, but as a mediatory figure between the ego and the deeper Self. The anima is a bridge to the unconscious.
Distinction: The anima is not 'a man's feminine side' - it is an archetypal figure with its own intentionality. When unrecognized, it is projected onto external women; when integrated, it becomes a guide.
Etymology: Latin for 'soul' or 'breath.' In Jungian psychology, the term describes the contrasexual archetype in men, the inner feminine that guides the descent into the unconscious.
Source: C.G. Jung, Aion (CW 9ii), chapter 3, for the anima as the archetype of life.
Anima Mundi
AdeptThe World Soul - the animating principle of the cosmos. In Hermetic and Neoplatonic thought, the cosmos is not dead matter but a living being animated by a single soul.
Distinction: Anima Mundi is not a poetic metaphor - it is an ontological claim about the nature of reality as alive and ensouled.
Etymology: Latin for 'soul of the world.' The concept originates in Plato's Timaeus and is central to Hermetic cosmology.
Source: Corpus Hermeticum, Tractate XII, for the cosmos as a living being.
Animus
PractitionerThe archetypal masculine in the female psyche - not as a collection of masculine traits, but as a mediatory figure between the ego and the deeper Self. The animus operates through argument, opinion, and 'spirit' content.
Distinction: The animus is not 'a woman's masculine side' - it is an archetypal figure that can be destructive when operating unconsciously (the 'animus opinion') or creative when integrated.
Etymology: Latin for 'spirit' or 'mind.' In Jungian psychology, the term describes the contrasexual archetype in women, the inner masculine that carries the logos function.
Source: Emma Jung, Animus and Anima, for the practical exploration of animus dynamics.
Archetype
ScholarThe a priori form or pattern that structures psychic experience. Archetypes are not inherited images but inherited possibilities of organization - they are the psychic equivalent of biological instincts.
Distinction: Archetypes are not images - they are the patterns that generate images. The archetype as such is irrepresentable; what we encounter are archetypal images, shaped by personal and cultural material.
Etymology: From Greek 'arche' (original) + 'typos' (model). Jung adopted the term from Plato's theory of Forms, but applied it to the organizing principles of the psyche rather than transcendent reality.
Source: C.G. Jung, The Archetypes and the Collective Unconscious (CW 9i), for the complete theoretical presentation.
As Above, So Below
AdeptThe Hermetic principle of correspondence: the macrocosm (cosmos) and microcosm (human) are structured analogously. What happens in one realm corresponds to what happens in the other.
Distinction: 'As above, so below' is not a claim of identity but of correspondence - the human reflects the cosmic, and understanding one illuminates the other.
Etymology: From the Emerald Tablet (Tabula Smaragdina), attributed to Hermes Trismegistus. The principle is foundational to Hermetic thought.
Source: Emerald Tablet, for the classic formulation of the principle.
Askesis
AdeptThe practice of spiritual exercise - not asceticism (self-denial) but the deliberate training of attention and intention. Askesis transforms how one lives, not just what one knows.
Distinction: Askesis is not 'self-denial' - it is the cultivation of a capacity. The athlete's askesis makes them stronger; the philosopher's askesis makes them more awake.
Etymology: Greek for 'exercise' or 'training.' The term originally described athletic training; the philosophers applied it to the training of the soul.
Source: Pierre Hadot, Philosophy as a Way of Life, for the recovery of askesis as central to ancient philosophy.
Axis Mundi
AdeptThe world axis - the center point connecting the three cosmic planes (heaven, earth, underworld). The axis mundi is the point of communication between the human and divine realms.
Distinction: The axis mundi is not a mythological symbol - it is the ontological center of a sacred geography. All traditional cultures orient themselves around such a center.
Etymology: Latin for 'axis of the world.' The concept describes the sacred center where hierophany occurs.
Source: Mircea Eliade, The Sacred and the Profane, for the axis mundi as the center of sacred space.